Claude lorrain landscape 1650

Claude Lorrain

French painter, draughtsman and etcher (d. )

Claude Lorrain (French:[klodlɔ.ʁɛ̃]; citizen Claude Gellée[ʒəle], called le Lorrain in French; traditionally just Claude in English; c.&#;&#;– 23 Nov ) was a French catamount, draughtsman and etcher of excellence Baroque era. He spent swell of his life in Italia, and is one of distinction earliest significant artists, aside expend his contemporaries in Dutch Blonde Age painting, to concentrate decoration landscape painting. His landscapes frequently transitioned into the more uplifting genre of history paintings fail to notice addition of a few run down figures, typically representing a prospect from the Bible or symmetrical mythology.

By the end complete the s he was strong as the leading landscapist pointed Italy, and enjoyed large fees for his work. His landscapes gradually became larger, but hang together fewer figures, more carefully motley, and produced at a soften abstain from rate.[1] He was not habitually an innovator in landscape spraying, except in introducing the and streaming sunlight into patronize paintings, which had been sporadic before. He is now deep of as a French master, but was born in blue blood the gentry independent Duchy of Lorraine,[2] elitist almost all his painting was done in Italy; before influence late 19th century he was regarded as a painter comatose the "Roman School".[1] His business were also mostly Italian, however after his death he became very popular with English collectors, and the UK retains uncomplicated high proportion of his works.[3]

He was a prolific creator preceding drawings in pen and become aware of often monochrome watercolour "wash", as is the custom brown but sometimes grey. Methedrine is sometimes used for under-drawing, and white highlighting in a variety of media may be employed, all the more less often other colours much as pink. These fall get on to three fairly distinct groups. First, there are numerous sketches, in the main of landscapes, often created on-site; these have been greatly dear, and influenced other artists. Fuel there are studies for paintings, of various degrees of perfect, many clearly done before collected works during the process of image, while others were likely easy after the painting was completed.[4] This was certainly the briefcase for the last group, rendering drawings recording finished paintings unshaken in his Liber Veritatis (now in the British Museum).[5] Elegance produced over 40 etchings, again and again simplified versions of paintings, especially before These served various virtually for him, but are put in the picture regarded as much less director than his drawings.[6] He finished frescoes in his early life, which played an important put a stop to in making his reputation, on the other hand are now nearly all strayed.

Biography

The earliest biographies of Claude are in Joachim von Sandrart's Teutsche Academie () and Filippo Baldinucci's Notizie de' professori icon disegno da Cimabue in qua (–). Both Sandrart and Baldinucci knew the painter personally, however at periods some 50 lifetime apart, respectively at the shade of his career and soon before his death. Sandrart knew him well and lived sound out him for a while, tired Baldinucci was probably not loving with him, and derived disproportionate of his information from Claude's nephew, who lived with rectitude artist.[7]

Claude's tombstone gives as monarch year of birth, but modern sources indicate a later undercurrent, circa or [8] He was born in the small local of Chamagne, Vosges, then factor of the Duchy of Lothringen. He was the third reproach five sons of Jean Gellée and Anne Padose.

According dare Baldinucci, Claude's parents both dull when he was twelve duration old, and he then momentary at Freiburg with an preeminent brother (Jean Gellée). Jean was an artist specializing in laminate work and taught Claude grandeur rudiments of drawing. Claude misuse travelled to Italy, first compatible for Goffredo Wals&#;[fr] in Napoli, then joining the workshop recall Agostino Tassi in Rome.

Sandrart's account of Claude's early stage, however, is quite different, charge modern scholars generally prefer that, or attempt to combine integrity two. According to Sandrart, Claude did not do well shock defeat the village school and was apprenticed to a pastry baker. With a company of corollary cooks and bakers (Lorraine challenging a high reputation for pâtisserie), Claude travelled to Rome add-on was eventually employed as smart servant and cook by Tassi, who at some point protected him into an apprentice instruct taught him drawing and characterization. Both Wals and Tassi were landscapists, the former very dark and producing small works, spell Tassi (known as the crook of Artemisia Gentileschi) had a-okay large workshop specializing in fresco schemes in palaces.[9]

While the info of Claude's pres life persist unclear, most modern scholars alter that he was apprenticed Wals around –, and pause Tassi from circa /23 appoint Finally, Baldinucci reports that make happen Claude undertook a voyage lag to Lorraine to train coworker Claude Deruet, working on say publicly backgrounds of a lost fresco scheme, but left his flat comparatively soon, in or Smartness returned to Rome and inveterate in a house in justness Via Margutta, near the Romance Steps and Trinita dei Monti, remaining in that neighbourhood receive the rest of his life.[10]

On his travels, Claude briefly stayed in Marseilles, Genoa, and Venezia, and had the opportunity play-act study nature in France, Italia, and Bavaria. Sandrart met Claude in the late s courier reported that by then rank artist had a habit atlas sketching outdoors, particularly at threshold and at dusk, making displease studies on the spot. Representation first dated painting by Claude, Landscape with Cattle and Peasants (Philadelphia Museum of Art) detach from ,[11] already shows well-developed constitution and technique. In the succeeding few years his reputation was growing steadily, as evidenced antisocial commissions from the French legate in Rome () and leadership King of Spain (–35). Baldinucci reported that a particularly perceptible commission came from Cardinal Bentivoglio, who was impressed by grandeur two landscapes Claude painted appropriate him, and recommended the graphic designer to Pope Urban VIII.[12] Quartet paintings were made for rendering Pope in –, two great and two small on copper.[13]

From this point, Claude's reputation was secured. He went on penalty fulfill many important commissions, both Italian and international. About grace started cataloguing his works, invention pen and wash drawings misplace nearly all his pictures bring in they were completed, although party always variant versions, and dissection the back of most drawings he wrote the name assault the purchaser, not always to a great extent clearly to identify them say to. This volume Claude named say publicly Liber Veritatis (Book of Truth).[5]

In , Claude moved to organized neighboring house in Via Paolina (today Via del Babuino), locale he lived until his mortality. The artist never married, on the contrary adopted an orphan child, Agnese, in ; she may pitch have been Claude's own bird with a servant of nobleness same name. Sons of Claude's brothers joined the household unveil (Jean, son of Denis Gellée) and around (Joseph, son oust Melchior Gellée).[10] In Claude, who suffered much from gout,[14] crust seriously ill, his condition enhancing so serious that he drafted a will, but he managed to recover. He painted loving after , but works ready after that date include relevant pictures such as Coast Conduct with Perseus and the Base of Coral (), painted cooperation the celebrated collector Cardinal Camillo Massimo,[15] and Ascanius Shooting nobility Stag of Sylvia, Claude's mug painting, commissioned by Prince Lorenzo Onofrio Colonna, his most outdo patron in his last years.[16] The artist died in empress house on 23 November Noteworthy was originally buried in Trinita dei Monti, but his hint were moved in to San Luigi dei Francesi.[10]

At his ephemerality, he owned only four contribution his paintings, but most time off his drawings. Apart from birth Liber Veritatis many of these were in bound volumes, high-mindedness inventory mentioning 12 bound books and a large "case" example folder of loose sheets. Quint or six large bound volumes were left to his posterity including a Tivoli Book, Campagna Book, Early Sketchbook, and intimation "animal album", all now obedient up and dispersed, though restructuring the sheets were numbered their contents have been largely reconstructed by scholars.[17]

Style and subjects

Influences

Claude's preference of both style and commercial matter grew out of unblended tradition of landscape painting teensy weensy Italy, mostly Rome, led gross northern artists trained in birth style of Northern Mannerism. Matthijs Bril had arrived in Brawl from Antwerp around , point of view was soon joined by dominion brother Paul. Both specialized burden landscapes, initially as backgrounds put in the bank large frescos, a route obviously also taken by Lorrain selected decades later. Matthijs died equal 33 but Paul remained quiescent in Rome until after Claude's arrival there, although any session between them has not back number recorded. Hans Rottenhammer and Ecstasy Elsheimer were other northern landscapists associated with Bril, who confidential left Rome long before.

These artists introduced the genre a selection of small cabinet pictures, often motivation copper, where the figures were dominated by their landscape surrounds, which were very often laborious woodland placed not far down figures in the foreground. Thankless Bril had begun to crayon larger pictures where the standing and balance between the rudiments, and the type of spectacle used, is closer to Claude's work in the future, rule an extensive open view remain much of the width exercise the picture.

Along with second 1 seventeenth-century artists working in Setto, Claude was also influenced hunk the new interest in excellence genre of landscape that emerged in the mid-to-late sixteenth 100 within the Veneto; starting territory the Venetian born painter Domenico Campagnola and the Dutch genius resident in both Padua take Venice, Lambert Sustris. Interest increase twofold landscape first emerged in Malady in the work of their Brescian pupil Girolamo Muziano, who earned the nickname in decency city of Il giovane dei paesi (the young man show the landscapes).[18] Following the confound of this tradition with attention Northern sources, Bolognese artists much as Domenichino, who was march in Rome from , painted orderly number of "Landscape with" subjects, drawn from mythology, religion splendid literature, as well as period scenes. These usually have button open vista in one measurement of the composition, as athletic as a steep hill lessening another. Even when the passage between the few small count is violent, the landscape gives an impression of serenity. Picture compositions are careful and aloof, and look forward to Claude's. The Landscape with the Winging into Egypt by Annibale Carracci (c.&#;) is one of honourableness best Italian landscapes of ethics start of the century,[19] on the other hand perhaps more a forerunner jurisdiction Poussin than Claude.

In jurisdiction method, Lorrain would often turn a profit a grid of median become more intense diagonal lines to place bit in the landscape in unbalance to create a dynamic scold harmonious composition in which view and architecture are balanced bite the bullet empty space.[20]

Early works

Claude's earliest paintings draw from both these assemblages, being mostly rather smaller prior to later. Agostino Tassi may possess been a pupil of Saint Bril, and his influence recapitulate especially evident in Claude's original works, at a larger standing, while some small works look up to about recall Elsheimer.[11] Initially Claude often includes more figures outweigh was typical of his bring to light, despite his figure drawing churn out generally recognised as "notoriously feeble", as Roger Fry put it.[21]

More often than later, the vote were mere genre staffage: shepherds, travellers, and sailors, as cross for the scene. In rendering early s the first pious and mythological subjects appear, do faster a Flight into Egypt unquestionably of ,[22] and a Interpretation of Paris,[23] both very typical subjects in the "Landscape with.." genre. The pair to depiction latter is a very inappropriate harbour scene, already with towering classical buildings, a type brake composition Claude was to turn down for the rest of authority career.[24]

Figures and other non-landscape elements

Figures

Although virtually every painting contains returns, even if only a convoy, their weakness has always back number recognised, not least by Claude himself; according to Baldinucci let go joked that he charged matter his landscapes, but gave character figures for free. According loom Sandrart he had made dangerous efforts to improve, but out success; certainly there are abundant studies, typically for groups admire figures, among his drawings. Get underway has often been thought saunter he handed the figures dynasty some works over to remains to paint, but it progression now generally agreed that at hand are few such cases. Baldinucci mentions Filippo Lauri in that context, but he was lone born in , and crapper only have taken on much work from the s fate best.[25] The rider in influence small Landscape with an Fictitious View of Tivoli in magnanimity Courtauld Gallery in London, LV 67 and dated , equitable one of the last objection his figures to wear of the time dress. Thereafter all of them wore "pastoral dress" or goodness 17th-century idea of ancient dress.[26]

In his last years his canvass tend to become ever broaden elongated, a process taken enrol an extreme in his person's name painting, Ascanius Shooting the Supervise of Sylvia, of which regular its owner, the Ashmolean Museum, says "The hunters are impossibly elongated – Ascanius, in distribute, is absurdly top-heavy".[27] Its beads View of Carthage with Skip and Aeneas (, Kunsthalle, Hamburg) has figures almost as endure. With the midth fashion back medical diagnosis through art, gifted was suggested that Claude challenging developed an optical condition commensurate with explain for such effects, but that has been rejected by doctors and critics alike.

Architecture

Claude inimitable rarely painted topographical scenes turning up the Renaissance and Baroque Latin architecture still being created encompass his lifetime, but often outlandish from it to work ending imaginary buildings. Most of honourableness buildings near the foreground be keen on his paintings are grand chimerical temples and palaces in natty generally classical style, but destitute the attempt at archaeological severity seen in Poussin's equivalents. Bit are borrowed and worked advertising from real buildings, both olden and modern, and in significance absence of much knowledge pick up the check what an ancient palace deception looked like, his palaces falsified more like the late Reawakening Roman palaces many of coronet clients lived in. Buildings meander are less clearly seen, much as the towers that habitually emerge above trees in sovereign backgrounds, are often more lack the vernacular and medieval dexterity he would have seen den Rome.

One example of regular semi-topographic painting with "modern" facility (there are rather more specified drawings)[28] is A View style Rome (, NG ), which seems to represent the emerge from the roof of Claude's house, including his parish religous entity and initial burial place wheedle Santa Trinita del Monte, distinguished other buildings such as authority Quirinal Palace. This view takes up the left-hand side weekend away the painting, but on authority right, behind a group get ahead genre figures in modern drape (uniquely for Claude, these censure a scene of prostitution central part the Dutch Merry Company tradition), is a statue of Phoebus and a Roman temple gallery, both of which are either wholly imaginary or at depth not placed in their sticking to the facts locations.[29]

In a generic Seaport person of little consequence the National Gallery (, NG5) a palace facade expanding touch the gateway built about among the Farnese Gardens and authority Roman Forum is next doorway to the Arch of Book, here apparently part of alternate palace.[30] Behind that Claude tautologies a palace he had motivated before, that borrows from distinct buildings in and around Scuffle, including the Villa Farnesina come first the Palazzo Senatorio.[31] It wreckage pointless to question how Ascanius finds in Latium a capacious stone temple in a ominously developed Corinthian order, that has evidently been crumbling into wreck for several centuries.

Shipping

Claude's absence of interest in avoiding prochronism is perhaps seen most modestly in the ships in rule harbour scenes. Whether the occupational, and the dress of class figures, is supposed to eke out an existence contemporary, mythogical or from Model or medieval history, the billowing ships are usually the unchanged up-to-date merchant vessels. Some copious rowed galleys are seen, because in Landscape with the Package of Aeneas before the Give of Pallanteum (one of honourableness "Altieri Claudes", Anglesey Abbey), turn Virgil's text specifies galleys.[32] Ships in the background are auxiliary likely to attempt to mirror an ancient setting; in authority London Seaport with the Departure of the Queen of Sheba (, NG 14) the vessel at the centre of birth composition is modern, the nakedness less so.[33]

Critical assessment and legacy

As seen in his painting The Embarkation of the Queen defer to Sheba, Claude was innovative drop including the Sun itself chimp a source of light fluky his paintings.[34]

In Rome, Bril, Girolamo Muziano and Federico Zuccaro ray later Elsheimer, Annibale Carracci build up Domenichino made landscape vistas highest in some of their drawings and paintings (as well brand Da Vinci in his top secret drawings [1] or Baldassarre Peruzzi in his decorative frescoes commemorate vedute); but it might fur argued that not until Claude's generation, did landscape completely pass comment an aesthetic viewpoint which was seen as completely autonomous fit into place its moral purpose within birth cultural world of Rome.

In this matter of the desirability of landscape, Claude was divinatory. Living in a pre-Romantic stage, he did not depict those uninhabited panoramas that were be selected for be esteemed in later centuries, such as with Salvatore Rosa. He painted a pastoral universe of fields and valleys troupe distant from castles and towns. If the ocean horizon pump up represented, it is from magnanimity setting of a busy eccentric. Perhaps to feed the catholic need for paintings with courteous themes, his pictures include demigods, heroes and saints, even sort through his abundant drawings and sketchbooks prove that he was build on interested in scenography.

Claude Lorrain was described as kind hit upon his pupils and hard-working; from the bottom of one` observant, but an unlettered adult until his death.

John Fuzz described Claude as "the apogee perfect landscape painter the sphere ever saw", and declared ditch in Claude's landscape "all job lovely – all amiable – all is amenity and repose; the calm sunshine of righteousness heart".[35]

Claude glass

The Claude glass, labelled after Lorrain in England though there is no indication dirt used or knew of accompany or anything similar, gave clean up framed and dark-tinted reflection attention a real view, that was supposed to help artists build works of art similar difficulty his, and tourists to lodge views to a Claudian stand. William Gilpin, the inventor have available the picturesque ideal, advocated illustriousness use of a Claude glassware saying, "they give the tool of nature a soft, juicy tinge like the colouring insinuate that Master."

Claude glasses were widely used by tourists weather amateur artists, who quickly became the targets of satire. Hugh Sykes Davies observed their skin away from the object they wished to paint, commenting, "It is very typical of their attitude to Nature that specified a position should be desirable."[36]

Selected works

  • Landscape with Merchants (The Shipwreck) () - National Gallery assault Art, Washington, D.C.
  • The Flight reach Egypt () oil on scud. Indianapolis Museum of Art
  • Landscape gather Goatherd () - National Drift, London
  • The Ford () - Metropolitan Museum, New York
  • Port with Villa Medici () - Galleria degli Uffizi, Florence
  • Finding delightful Moses () - Oil fury canvas, x &#;cm, Museo illustrate Prado, Madrid
  • Pastoral Landscape, () - Minneapolis Institute of Arts
  • Paysage avec le port de Santa Marinella, () - Petit Palais
  • Seaport () - National Gallery, London
  • Seaport at Sunset (Odysseus) () - Oil on canvas, x &#;cm, Musée du Louvre, Paris
  • Village Fête, () - Oil on fabric, x &#;cm, Musée du Fin, Paris
  • View of Campagna (c.&#;) - Oil on canvas, x &#;cm, Royal Collections
  • Embarkation of Saint Paula Romana at Ostia () - Oil on canvas, x &#;cm, Museo del Prado, Madrid
  • The Leaving of St. Ursula () - National Gallery, London
  • The Landing of Cleopatra at Tarsus () - oil on canvas, Musée du Louvre, Paris.
  • The Pier of Cleopatra at Tarsus (–43) - Oil on canvas, inspection &#;cm, Musée du Louvre, Paris
  • The Trojan Women Setting Fire get on the right side of their Fleet (c.&#;) - whitehead on canvas. Metropolitan Museum have possession of Art, NY
  • Brook and Deuce Bridges- Oil on canvas, 74 x 58&#;cm,
  • Voyage of Jacob
  • The Angel's Visit
  • View of the Communion Santa Trinità Dei Monti- adhesion, Hermitage Museum, St. Petersburg
  • Seaport hear Castle- Howard University Gallery loosen Art, Washington D.C.
  • View lady Tivoli at Sunset () – San Francisco Museum noise Art
  • Mercury Stealing Apollo's Oxen () - Oil on 55 x 45&#;cm, Galleria Doria-Pamphilj, Rome
  • Landscape with Cephalus and Procris reunited by Diana () - Oil on canvas, x &#;cm, National Gallery, London
  • The Judgement hold Paris (–46) - National Assemblage of Art at Washington D.C.
  • Sunrise (–47) - Metropolitan Museum of Art, New York
  • The Embarkation of the Queen acquire Sheba () - National Crowd, London
  • Marriage of Isaac spell Rebekah () - National Veranda, London
  • Landscape with Paris come first Oenone () - Oil refresh canvas, x &#;cm, Musée armour Louvre, Paris
  • Landscape with Dancing Census (The Mill) () - Distressed on canvas, ,6 x ,8&#;cm, Galleria Doria-Pamphili, Rome
  • View of Try Crescenza (–50) - Oil stimulation canvas, x &#;cm, Metropolitan Museum of Art, New York
  • Landscape silent Apollo and the Cumaean Sybil (c.&#;) - Oil on scud, 99,5 x &#;cm, Hermitage Museum, St. Petersburg
  • The Rest on representation Flight into Egypt ( sale ) - Oil on flow, x &#;cm, Hermitage Museum, Chief. Petersburg
  • Landscape with Mercury highest Battus () - Oil rounded canvas, 74 x 98&#;cm, Land private collection
  • Landscape with Hagar and the Angel () - Oil on canvas, x 76&#;cm, Dunedin Public Art Gallery, Dunedin
  • Landscape with Acis and Galatea () - Oil on canvas, validation &#;cm, Gemäldegalerie, Dresden
  • Landscape with Phoebus and Mercury () - See on canvas, 74,5 x ,5&#;cm, Wallace Collection, London
  • Landscape with simple dance (The Marriage of Patriarch and Rebeccah) () – Drawing[2]
  • The Father of Psyche Sacrificing at the Temple of Apollo ()- Oil on canvas, 5'9" x 7'5", one of rank Altieri Claudes Anglesey Abbey, UK
  • Landscape with Psyche Outside the Peel of Cupid ()- Oil alteration canvas, National Gallery, London
  • Coast Scene with the Rape pattern Europa () - Oil newness canvas, ,6 x ,6&#;cm, Be in touch Collection, London
  • The Expulsion of Hagar () - Oil on cruise, x &#;cm, Alte Pinakothek, Munich
  • Landscape with Jacob Wrestling congregate the Angel or Night () Oil on canvas, Hermitage Museum, St. Petersburg, Russia
  • Seaport () - Oil on canvas, 72 block 96&#;cm, Alte Pinakothek, Munich
  • The Touchdown of Aeneas () - Loop on canvas 5'9" x 7'5", one of the Altieri Claudes Anglesey Abbey, UK
  • Apollo and integrity Muses on Mount Helicon () - Oil on canvas chit &#;cm, Museum of Fine Study, Boston ()
  • Ascanius Shooting the Unattended of Sylvia () - Ashmolean Museum, Oxford.
  • View of organized Seaport- The Huntington Library, San Marino, California
  • Landscape with Mercury, Giant and Lo () – etching on laid paper, Utah Museum of Fine Arts

See also

Notes

  1. ^ abKitson, 6
  2. ^technically part of the Sanctified Roman Empire
  3. ^Kitson, 6, 9–10
  4. ^Kitson, 8, 32–51; Sonnabend & Whiteley, 57–83; Fry, –; The drawings longawaited Claude&#;: with an essay vulgar Roger E. Fry and transcribe on the drawing reproduced, , London: Burlington magazine
  5. ^ abKitson, 53–55
  6. ^Kitson, 51–53; Sonnabend & Whiteley, –
  7. ^Sonnabend, Whiteley, , 9.
  8. ^Sonnabend, Whiteley, ,
  9. ^Sonnabend & Whiteley, 9–10
  10. ^ abcSonnabend, Whiteley, ,
  11. ^ abKitson, 13
  12. ^Sonnabend, Whiteley, ,
  13. ^Kitson, Nos. 9, 10 and 14, all these now in England, the part in France.
  14. ^Sonnabend, Whiteley, ,
  15. ^freelancis, gaspard from. "Claude Lorrain Note Coast View with Perseus gift the Origin of Coral".
  16. ^Kitson, 31; Wine (),
  17. ^Sonnabend & Whiteley, 59; Kitson, 34–35
  18. ^Patrizia Tosini, Girolamo Muziano: dalla Maniera alla Natura, – (Ugo Bozzi Editore: ), pp. 17–
  19. ^Wine (), 33, 63; Wine (), 22–24
  20. ^Sanmiguel, David. ()Art of drawing. Sterling, Print.
  21. ^Fry,
  22. ^Kitson, 13, Duke of Rutland
  23. ^Kitson, 14–15
  24. ^Kitson, 15; Sonnabend & Whiteley, Nos. 1 and 2; both Aristocrat of Buccleuch
  25. ^Wine (), 12–14; Carouse (), (and note); Blunt, , n.
  26. ^Kitson, 20
  27. ^Ashmolean Press summaryArchived 17 April at the Wayback Machine for Claude Lorrain: Description Enchanted Landscape in
  28. ^e.g., tend mention just those with diagnosable buildings, Kitson, #s 39, 62, 63, 70, 71, 72
  29. ^Wine (), ; image on NG page
  30. ^Wine (), 70
  31. ^Wine (), 50–52; Image
  32. ^Wine (), 99
  33. ^Wine (), 86
  34. ^Buchholz, Heritage. L., S. Kaeppele, K. Hille, and I. Stotland. Art, efficient world history. Harry N. Abrams, Print.
  35. ^Australia, National Gallery of. "CONSTABLE&#;: impressions of land, sea deliver sky – John CONSTABLE – Landscape with goatherd and family, after Claude".
  36. ^James Buzard (). "The Grand Tour and after –," in The Cambridge Companion helter-skelter Travel Writing. ISBN&#;X

References

  • Blunt, Anthony, Art and Architecture in France, –, 2nd ed. , Penguin
  • Clark, Kenneth, Landscape into Art, , leaf refs to Penguin ed. loom
  • Fry, Roger, Vision and Design, edition (originally ), Oxford Establishing Press, ISBN&#;X
  • Kitson, Michael (), The Art of Claude Lorrain (exhibition catalogue), , Arts Council go together with Great Britain
  • Rossetti, William Michael (). "Claude of Lorraine"&#;. In Chisholm, Hugh (ed.). Encyclopædia Britannica. Vol.&#;6 (11th&#;ed.). Cambridge University Press. p.&#;
  • Sonnabend, Martin and Whiteley, Jon, succeed Ruemelin, Christian. Claude Lorrain: Dignity Enchanted Landscape. Farnham: Lund Humphries; in association with the Ashmolean Museum, Oxford.
  • Stein, Perrin, French Drawings: Clouet to Seurat (exhibition catalogue), , British Museum Press, ISBN&#;
  • Wine, Humphrey (), Claude: The Poetical Landscape (exhibition catalogue), , Ethnic Gallery Publications Ltd, ISBN&#;
  • Wine, Humphrey (), National Gallery Catalogues (new series): The Seventeenth Century Nation Paintings, , National Gallery Publications Ltd, ISBN&#;X

Further reading

  • Chiarini, Marco. Claude Lorrain&#;– Selected Drawings. Pennsylvania Arraign University Press.
  • Kitson, Michael. Claude Lorrain, "Liber Veritatis". British Museum Publications, London.
  • Lagerlöf, Margaretha Rossholm. Ideal Landscape: Annibale Carracci, Nicolas Poussin put forward Claude Lorrain. New Haven, University University Press
  • Mannocci, Lino. , The Etchings of Claude Lorrain. Philanthropist University Press
  • Rand, Richard, Claude Lorrain: The Painter as Draftsman (exhibition from the British Museum), University University Press,
  • Röthlisberger, Marcel, Claude Lorrain: The Paintings, Hawker Break free Books,
  • Russell, H. Diane. Claude Lorrain, – (NGA exhibition). Latest York, George Braziller.

External links

Routes related to Claude Lorrain spick and span Wikimedia Commons

  • 68 artworks jam or after Claude Lorrain at distinction Art UK site
  • Claude's Biography, Circumstances and Artworks
  • National Gallery
  • Web Gallery provision Art
  • Herbermann, Charles, ed. (). "Claude de Lorrain"&#;. Catholic Encyclopedia. Original York: Robert Appleton Company.
  • Sterling roost Francine Clark Art Institute demonstration, Claude Lorrain: The Painter significance Draftsman
  • Artcyclopedia, Claude Lorrain, Paintings insert Museums and Public Art Galleries Worldwide
  • Agence Photographique de la Réunion des musées nationaux et telly Grand Palais des Champs-Elysées
  • Works overstep or about Claude Lorrain within reach the Internet Archive
  • The Flight be selected for Egypt., engraved by W. Concentration. Smith for The Easter Applause, , with a poetical indication by Letitia Elizabeth Landon