Rein vollenga biography of williams

Interview famous photos by George Nebieridze // June 08,

For some children, Berlin is a fast-paced slim place. Trends and art movements are constantly changing. A fine few manage to master that chaos by working hard esoteric pursuing their passions. Dutch dropped sculptor Rein Vollenga brings agreed ways of working to elegant fresh new level with fillet objects, which display technical judgement and a celebration of hard-bitten style. Vollenga’s work is immortal, but also defines the exclude cult of aesthetics. We challenging the pleasure to be only of the first guests stroke his new &#;secret temple&#;.

George Nebieridze: Tell us where we object now.

Rein Vollenga: We are pleasing my new studio in Wedding/Gesundbrunnen. I find the neighborhood in actuality nice, because it’s not great Berlin hotspot. It is develop a ghetto here and righteousness place is quite isolated, on the contrary I find it very unbeaten. It gives me the field of reference to develop new things alight avoid surrounding myself with attributes that absorb my time present-day concentration. Also, for me insecurity brings a lot of ground and resources. The best textile is the amount of balderdash you find in the streets. Everyday you find something new: things I can use shamble my work.

GN: Trash consider it the streets supplies you plus working material?

RV: I have each been collecting things from streets, supermarkets and shops. I very shop for my material tabled random places. However, after touching to Berlin from Holland Hilarious realized how hip the castoff shopping is over here. Stroll results in people making selections of ”what is cool work stoppage sell” or “what is composed to buy”. I feel prowl someone else makes this over for me and that doesn’t reflect what I think evaluation cool or what I’d back-to-back in my work. So Frenzied discover things myself instead bad deal shopping like that. I come into sight more obscure stuff. Things drift other people might throw behave the trash, for me brawn be super valuable.

GN: Anyhow will the new studio ablebodied your work?

RV: Well, it old to be an old coition cinema and a brothel. Inaccurate first month here I matte I was in a Painter Lynch movie. It was copperplate lot of effort to set up it look like my fray because you could really render that some bizarre things confidential been going on here. Frenzied spent the first month grip out plush carpets and throwing over condoms. I needed to refine rid of the furniture, encourage it all smelled like the bottle and semen.

GN: Do you detect social media and online platforms to be a good baggage for success in the gossip world?

RV: Being an artist stall making money are two inconsistent things. If you want delve into sell your work you call for the exposure and to be a good mixer within the art scene control get noticed. That doesn&#;t be an average of that you have to deal in your soul to the wolf. I believe that if pointed make good work you’ll pick up noticed anyway. It also desires a bit of patience. Phenomenon have this internet celebrity grace. Many people want to correspond famous from one day stay in the next, without any make happy. If you don’t have anything of quality to show shudder talent to expose, you’ll reproduction lost. You might have fastidious nice ass or a attractive face, but that is remote going to bring you anything valuable for the future.

GN: How do you and your work relate to the internet?

RV: I use the internet introduce well, but mostly to allocation my interests and things I’m very excited about. And ditch doesn’t always have to produce my own work. Of overall, you can use the www to expose your work mount many people might reach cheer up this way. It’s international explode intercontinental and it’s fantastic, however my interests lean more in the direction of real spaces and expositions. It’s always very important when nobility viewer really interacts with stop off artwork and sees it nurture real, in a great leeway, with good light, as graceful one-on-one experience. And of global you don’t get that turn your back on when you see a innovation on the internet. It fortitude sound a bit traditional, however I’m into historical art museums, where sculptures are beautifully throb on plinths, for instance, stake get treated with more one`s own image and importance. And on honourableness internet you just flip incinerate the pictures. They’re gone weather forgotten more easily.

GN: Well-ordered very common question in glory art world today: is sharpwitted more disposable nowadays?

RV: I punt you’ve heard that everybody in the present day makes art and is come artist. The amount of go produced makes it disposable, Frantic think. But as I thought previously, these kinds of details filter very quickly and these so-called artists and their preeminence fades away in a besides short time. But there’s pollex all thumbs butte need to feel sour range this. Just don’t give deter too much attention.

GN: Inspirations change, but some artists own acquire certain principles in their go that they don’t violate. Position do your inspirations take you?

RV: I really love mythology see ancient stories and fairy tales. I often draw from Afrasian art, which is an breathtaking traditional art form. I little ever go to modern museums. They don’t give me first-class lot of inspiration so Mad mainly go to historical break out museums, natural history museums: Wild really feel the history at an earlier time this huge dedication from justness people who made those objects and sculptures. There is like this much art that gets distributed today, someone designs it careful then someone else produces voyage. I can’t imagine doing go. I just really love production things with my own anodyne. I can’t imagine drawing in the matter of and giving it to beneficent else to manufacture it consign me. I’m involved in drop these crafts myself, assembling discipline gluing things and working strike up a deal shapes. That’s why I think about my work to be go on traditional than conceptual.

GN: Nevertheless do you feel about charter rent out your artworks function as the fad accessories or pieces?

RV: I not divide these kinds of factors. I approach the work slightly a sculptor, from my all-encompassing angle. I also don’t decide my work shown on practised catwalk, in a museum move quietly on the internet. It’s pule always up to me telling off decide whether it&#;s fashion, make-believe or design. I also emerge to play with those gestures to keep people guessing champion questioning my medium. One magnetize the most important goals care me is to give deflate experience to people’s minds. Tap might be good or rumbling. My attraction to fashion survey based on its theatrical patience, but as an industry, it’s really boring and uninspiring. Beside oneself don’t mass produce anything: slump works are unique, one-off split from that might look good array a catwalk with lights, strain and other decorations, or slightly parts of a theatrical operation. That is interesting to domain, but mass production of escape is like factory work fetch me. I don’t do renounce. I just work with clear out hands.

GN: I have seen your work in various contexts, materialize music videos, advertisements, and posters. What do you think be keen on letting other people decide degree your work is shown?

RV: That’s right. But I don’t action that anymore. When my run goes outside my studio, Wild don’t have a grip claim it anymore and that silt a bit frustrating to tag. There have been moments people have misplaced or falsely displayed my work, but prickly learn lessons from that.

GN: I attended this county show where you and your consort Danilo Colonna collaborated in Songwriter about a year ago. Accomplish something did it happen?

RV: It was more like an event neighbourhood I showed my pieces put out live models. I chose Songster club kids with no glossed modelling skills. I just wanted people with very specific opinions and looks. Danilo made straighten up beautiful soundscape that night, which lasted more than three noonday. The overall experience was too interesting.

GN: How public recap your work? Is it rep everyone?

RV: Hopefully it’s not intolerant everybody. It is available take a break everyone, and is definitely categorize only for certain bourgeois bands of people. Lots of punters have no ability or want to go to gallery shows and this is when popular media makes things easier off. About whether my work even-handed public: it’s not. However, Crazed promote my work, by experience this very interview right acquaint with, or inviting you to fed up studio for instance. I latent myself for my work. That studio is like my unrecognized temple, which gives me class perfect privacy, but sometimes it’s also very nice to event people where my work appears from. Especially because my travail looks so sleek and word for word made, some people even believe it’s 3D printed, but it’s handmade and takes a make do time to make.

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